There’s no denying that the original recording of Layla, featuring Duane Allman, is one of the most iconic songs in rock and roll history. However, a track already legendary in its own right became even more popular—particularly among a younger, casual audience—when Eric Clapton decided to give it an acoustic makeover.
On January 16, 1992, Clapton, along with Andy Fairweather Low, Steve Ferrone, Chuck Leavell, Ray Cooper, and Nathan East, gathered at Bray Film Studios in Windsor, England. Performing in front of an intimate audience of around 300 people, they set out to film a live concert for MTV’s Unplugged series.
At the time, no one could have predicted that this recording would become the best-selling live album of all time, moving over 26 million copies worldwide. In fact, Clapton himself even bet $100 with one of the band members, confident that the album would never become popular.
The key to its success? A completely reimagined acoustic version of Layla—so different and fresh that Clapton famously teased the crowd with, “See if you can spot this one.”.
As mentioned, the initial goal of the concert was simply to film a TV show for MTV. However, for Eric Clapton, this also felt like the perfect opportunity to debut some of the new, deeply personal songs he had written, including Tears in Heaven.
I had a need to perform these new songs about my son, and I really believed that they were meant to help not just me, but anybody who had or would suffer such extraordinary loss. The opportunity to showcase them came in the guise of an Unplugged TV show for MTV. I had been approached to do it, and wasn’t sure, but now it seemed like the ideal platform.
Eric Clapton – Autobiography
With that in mind, Eric agreed to the Unplugged performance and handpicked a group of musicians he believed would excel in an acoustic setting.
At the heart of this group was guitarist Andy Fairweather Low, whom Eric relied on heavily throughout the project. Eric would give Andy the songs, and he would work through the chords and licks at home. The two would meet the following day to fine-tune their arrangements.
In fact, Andy’s role in the Unplugged concert was so significant that Eric credited him as the backbone of the entire project.
Often he [Andy] would work out what my part would be too. He was really the groundbreaker on all of this stuff on Unplugged. He’s such a humble man, but really, he was the backbone of this project, and I think it’s actually time for everyone to know that.
Eric Clapton
So of course, Andy was probably the first one with whom Eric talked about doing an acoustic version of Layla. According to Andy, Eric informed him of the idea very casually, over a cup of tea.
On one of the mornings that I went to the house, I’m going to kitchen to have a cup of tea, he’s sitting in a chair with his guitar, and he says “I’m thinking of doing another version of Layla”.
Andy Fairweather Low – Guitar
Eric Clapton knew he wanted to include Layla in the Unplugged set, but there was a challenge: the original version required him to sing in a high range, which didn’t suit the relaxed, acoustic vibe of the concert. The energetic, high-tempo rock version wouldn’t work in this setting, so Eric came up with a solution—slow the song down and drop it an octave.
I just thought I should try this as a “shuffle”. Because I love that thing of changing tempos, it’s a good way of looking at something from a different angle. Because of the key – it’s very high to sing if you do it in the “rock” version. It’s at the top of my range.
Well I thought you can’t play it like that, and so you’ll have to sing an octave down. Kind of thought – we’ll actually that sounds quite nice and sort of “jazzy”.
Eric Clapton
By slowing down the tempo and lowering the vocal pitch, Clapton kept Layla in its original key but tamed it for the acoustic setting. This decision not only made it easier for him to sing but also gave the song a fresh, jazzy feel that resonated with the Unplugged audience.
Bassist Nathan East, who performed that night, captured the essence of playing unplugged perfectly:
You can’t hide behind an amplified sound or a fuzz tone. You’re not relying on production. This is just everybody’s fingers connected to the instrument. Pure heart.
Nathan East – Bass Guitar
Despite all of Eric Clapton’s initial concerns, the acoustic version of Layla turned out to be a massive success. Not only did audiences embrace the reimagined version, but the band members themselves thoroughly enjoyed performing it—and even listening to it afterward.
Chuck Leavell, who played piano during the Unplugged session, appreciated the creative space this version of Layla gave him:
It felt natural to me. In the original recording, the piano really didn’t heave much of a feature until the end, where you have that reprise. But, this version of “Layla” gave me some space to play during the body of the song.
It gave us a chance to interpret the song in our own way. And it did work out, it gave it a rebirth I think.
Chuck Leavell – Keyboards
Andy Fairweather Low, who had taken on a significant role in preparing the acoustic set, was also relieved to find himself enjoying this new version of the song. For him, it was important to honor the legacy of the original Layla by Derek and the Dominos, but he felt the acoustic rendition allowed them to approach it with a fresh perspective.
It was a great relief for me because we were always “chasing” Derek and the Domino, and believe me, there wasn’t one band that got there. To be able to release yourself into this acoustic version and go “oh now, it’s a lovely song!”
Andy Fairweather Low – Guitar
The acoustic solo in Layla is one that many guitarists attempt to learn as soon as they pick up their first acoustic. It’s become so embedded in guitar culture that even the slightest mistake is noticeable to anyone familiar with the song. Though not a particularly technical solo, it has a special quality in its phrasing and progression that makes it difficult to replicate perfectly.
What’s surprising is that most of this iconic solo was improvised on the spot. What many don’t know is that there were two different versions of Layla recorded that night, and the intro and main solos in the alternate take sounded noticeably different. While some phrases carried over to the final version, the solos in the second take had a completely different feel.
So it’s fascinating to think that the final version of Layla could have turned out differently depending on Clapton’s mood or the way he played that day. One small change and the solo we now consider iconic might have taken on a different form.
By the end of the Unplugged performance, Eric Clapton had a powerful revelation—he realized that he had the ability to interpret songs in his own way. While Layla was his own creation, the concert also included covers of blues classics, songs that many considered untouchable.
This revelation became a turning point for Clapton. He realized that despite how “untouchable” certain songs might seem, he could still bring his own unique spin to them—something that quickly became his favorite creative pursuit.
When we cracked that I thought we got a good show here, and we can do alternative versions of anything really in this framework.
That confirmed to me that I could have some faith in my ability to interpret things, which is what I love to do. It had become my favorite ocupation. There are so many songs in the history of music that I love, that have touched me deeply, that are by artists where people say – well you can’t do that. It’s untouchable. That’s probably true, but maybe I can do it in a different way.
Eric Clapton
All of the credit for the quotes above goes to this YouTube video. Give it a listen if you’re interested in more details and thoughts from the band members and Eric. It was apparently broadcast in 2012.
If you wanna grab a copy of the Unplugged concert, Eric recently put out a “remastered” version (click on the image below).
