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NewsJimi Hendrix is someone who, for one reason or another, we didn’t often see playing acoustic guitars. Obviously, the late 60s were all about electrics, and there were usually no cameras around to film the rare impromptu acoustic gigs that Jimi’s friends surely had the honor to attend.
Jimi also left us way too early, so there wasn’t even any time for him to start exploring other sounds beyond electric. Here, of course, I’m drawing a comparison with Jimi’s contemporary, Eric Clapton, who in his later years began using acoustics more and more. Perhaps Jimi too would follow the same steps.
Anyways, when doing research on Jimi’s guitar for his Gear Page, I realized that there are only two recorded occasions of Jimi playing an acoustic. I decided to look a bit deeper into each, and figure out at least some background story behind them.
This is without a doubt the better known of the two recordings. Based on the info available, it was filmed by Peter Neal on December 19, 1967. At that time, Neal was working on a short film documentary about the band, titled Experience a.k.a. See My Music Talking.
According to Wikipedia, who lists the book Ultimate Hendrix as the source, the filming took at Bruce Fleming’s London studio, at which the band was previously photographed for the British album cover for Are You Experienced.
In the footage, Jimi is seen playing a Zemaitis 12-string guitar that was tuned down two whole steps. The guitar was hand-made by a guitar luthier Antanus Casimere (Tony) Zemaitis, based in London, England.
This second film I honestly couldn’t find anything about (if you do, please leave a comment below). It seems to be a case of someone picking up a camera, probably because realizing that something amazing is about to happen.
We see Jimi surrounded by (mostly) girls, one of which is apparently thirsty and in need of some acid – at least according to a guy sitting somewhere behind the camera. The joke is lost on me, but according to the group, it was funny.
Jimi is seen playing an Epiphone in this video, model FT79. This guitar was, at least according to Jimi’s girlfriend Kathy, among his favorites.
Jimi used it for almost everything he composed in this country, as he didn’t use an amp until the move to Brook Street, and in any case Chas would never have allowed it in case we disturbed the neighbors because we’d upset them in Montague Square and Chas didn’t want to be chucked out of a second flat. Jimi would pick up and then play the acoustic, then pick up a Strat and play that unplugged, listening to it without an amp. He constantly played it to work out riffs and song arrangements including his own version of Dylan’s “All Along The Watchtower”
Kathy Etchingham – Bonhams: Jimi Hendrix: An Epiphone FT 79 acoustic guitar, 1951
Also, upon stumbling upon the above quote from Kathy, I’m suspecting that this is her just in front of Jimi with red hair. Based on that, this could’ve possibly been filmed in their Mayfair flat in London, around late 1968 or early 1969.
To learn more about Jimi’s acoustic guitars, and other guitar and equipment that he used, check our Jimi Hendrix Gear Page.
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I am so thankful for sharing your wonderful page regarding video and music recording of Jimi Hendrix. I will be back again soon to check more of your updates.
Thanks very much for sharing these. As far as the second clip goes, i think it would be more accurate to say he is playing a sped-up version of Big Mama Thornton’s “Hound Dog” — the 1952 original backed by Johnny Otis (d) Pete “Guitar” Lewis (g), and Maurice Delgado (b), not the Elvis Presley arrangement. He closes by singing the first half of a famous U.S. Army Airborne running cadence: “Two old ladies lying in bed, one rolled over to the other and said …” As a former enlisted member of the 101st Airborne Division, he would have learned this cadence during his military service in 1961-62. The part he does not sing is, “I want to be an Airborne Ranger, live a life of sex and danger.” (See https://www.youtube.com/watch?v=VYcjAWO8kPo ). Again, thanks for the web site.
That’s a fair point. Maybe seeing how often the song was covered, it’s probably best to just leave it at “Jimi playing Hound Dog”. But yes, when I think about it and listen to it, he was most likely playing inspired by the Big Mama Thornton version. You’re right.
Very good insight on the latter part. Not being from the US personally, the importance of the “two old ladies” lyrics added there by Jimi slipped under my radar. Thanks for pointing it out Catherine! Cheers.